luís soares

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Him

 luís soaresTerça feira
Laura Stevens: Over the course of one year I invited over fifty men to my home to be photographed naked. Most were strangers, and it would be the first time we met. Stripping my bed to a white sheet, my most intimate space became a site for the man to be at his most intimate. (...)

Walt Whitman - Whoever You Are Holding Me Now in Hand

 luís soaresTerça feira
Whoever you are holding me now in hand,Without one thing all will be useless,I give you fair warning before you attempt me further,I am not what you supposed, but far different. Who is he that would become my follower?Who would sign himself a candidate for my affections? The way is suspicious, the result uncertain, perhaps destructive,You would have to give up all else, I alone would expect to be your sole and exclusive standard,Your novitiate would even then be long and exhausting,The whole past theory of your life and all conformity to the lives around you would have to be abandon’d,Therefore release me now before troubling yourself any further, let go your hand from my shoulders,Put me down and depart on your way. (...)

Calm Down

 luís soaresTerça feira
First single by artistic and musical duo, Benjamin and Florence Clementine. // Video : Produced, Edited and Directed by Preserve Artists.

Jean-Claude Götting

 luís soaresSegunda feira
Jean-Claude Götting est né à Paris en 1963.

Gelido in ogni vena

 luís soaresSegunda feira
Max Emanuel Cen?i?: Vivaldi - "Gelido in ogni vena" from Farnace. From the Opéra National du Rhin, StrasbourgGeorge Petrou - conductorwith Vivica Genaux & Concerto Köln

Reinbert de Leeuw performs Gnossiennes 1-6

 luís soaresSegunda feira
Maestro Reinbert de Leeuw performs Gnossiennes 1-6 composed by Erik Satie. Reinbert de Leeuw has a fascination for the French excentric composer Erik Satie. In the '60s and 70's Reinbert de Leeuw's recordings of Satie's music were immensely popular. Thirty years later Reinbert de Leeuw is still fascinated by Satie's music and performs all six Gnossiennes with new tempi. (...)

Nothing at Stake

 luís soares2020-02-14
Nothing at Stake from Criterion Collection on Vimeo. In this video essay, Kogonada, the director of COLUMBUS (2017), examines how Alfonso Cuarón’s ROMA imbues memories of everyday life in early-1970s Mexico City with the grand sweep of history.

Air Live

 luís soares2020-02-13
Air - Full concert live at the Niedemeyer Space for ARTE Concert (Binaural Show) / La Blogothèque (Paris, 2016).

Boys and Water / Men and Water

 luís soares2020-02-13
I keep coming back to water scenes. I keep coming back to rivers and lakes. I keep coming back to oceans. I like to explore the interaction of people, particularly of young boys and men, with water. Water can disarm even the most armed of facades. Becoming one with water is not about rushing but rather about flowing. (...)

Vladimir's Blues

 luís soares2020-02-13
Director’s Statement In 2003 Max Richter wrote The Blue Notebooks in reaction to the violence he experienced as a child, and as a protest against the impending Iraq War. In all the years I’ve known him, this drive to talk about the very real and lifelong effects of violence has remained a constant in his work. (...)

Casper Kofi

 luís soares2020-02-11
Casper Kofi is a photographer based in London. Selected publications include: Hercules Universal, GQ (USA), Vogue Netherlands, Vogue Man, Self Service, L’Officiel Hommes +, Foam Magazine,  The Greatest Magazine, MacGuffin, Dapper Dan, Neu Neu Magazine. (...)

Scene Suspended

 luís soares2020-02-07
Jon Hopkins - "Scene Suspended" // Video by Dan Tombs // http://www.2ms.studio // Instagram: @2ms_studio // Twitter: @2ms_studio

People, I've been sad

 luís soares2020-02-06
French star Christine and the Queens (or just Chris) charms her way through a glorious performance of previously unreleased single ‘People, I’ve been sad’.

Liu Ye

 luís soares2020-02-06
Beijing-born painter Liu Ye (b. 1964) combines abstraction and figuration to create bold, meditative paintings that investigate the intersections of history and representation through a distinct vocabulary that transcends traditional Eastern and Western art-historical categories. (...)

Margem

 luís soares2020-02-06
Guitarra acústica, Três Cubano – Bem GilBaixo e synth - Bruno di LulloBateria, surdo, lixa e percussão eletrônica - Rafael Rocha Flugel e trompete - Diogo Gomes Trombone - Marlon SetteLéo Moreira - Engenheiro de gravação no Estúdio PALCO Duda Mello - Gravação de voz e mixagem no Estúdio ROCK IT Direção e montagem - Murilo Alvesso Cinematografia e desenho de luz - Leo Rudá, Lola Zola e Murilo AlvessoProdução de set e cenografia - Cleide Gonçalves, Jorge Bizzi, Jorge Yuri e Ricardinho dos InocentesColorista - Diego Lombo MachadoRealização - Assum Filmes e XIRÊ Produções Masterizado por Takayoshi Manabe no estudio Crown Mastering StudioGravado no Alto da Boa Vista, Rio de Janeiro, no verão de 2019. (...)

Matthijs Röling

 luís soares2020-02-06
The themes to be found in Matthijs Röling's work are many and varied: still lifes, interiors, portraits, nudes, landscapes and mythological scenes. The painter does not care to deny that many of his paintings represent a release from everyday life. "I do not pretend to have a message for the world. (...)

I'm New Here

 luís soares2020-02-05
Gil Scott-Heron, Makaya McCraven - I'm New Here // Taken from the forthcoming album, We’re New Again - A Reimagining by Makaya McCraven.

Too Marvelous For Words

 luís soares2020-02-01
"Too Marvelous for Words" is a popular song written in 1937. Johnny Mercer wrote the lyrics for music composed by Richard Whiting. It was featured in the 1937 Warner Brothers film "Ready, Willing and Able," as well as a production number in a musical revue on Broadway. (...)

T.G.I.F.

 luís soares2020-01-31
Official Music Video for Lost in Yesterday by Tame Impala, from The Slow Rush (out February 14, 2020).

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